Taken in Egypt and Japan, the pictures here are a reflection of a mental state I was in while looking at the objects, they manifest a phenomenological state of seeing rather than merely looking. Humanity is not absent from the pictures, it stands as the backbone of why most of the things I took a picture of are the way they are and the logic they engender. In being, they carry a visual noise of their own. It is difficult to put into words a rather abstract project based on a feeling: this minimalist collection of pictures was inspired by the feeling of estrangement – which bordered on flecks of passive-aggressiveness and distortion- initially exposed in works by Camus and Kafka.